Born in Munich, Germany
1971 – 1972 North Toronto Collegiate Institute, Toronto, Canada
1972 - 1973 UC Berkeley, CA
1973 - 1976 Studied photography and visual communications at the University of Essen, Germany, with Otto Steinert; Degree in Visual Communication
Exhibitions
2010
“Architecture of Density”, Venice Biennale of Artchitecture, Venice, Italy
“Architecture of Density”, m97 Gallery at ART HK 2010, Hong Kong
“Paris Street VIews”, Foam Gallery, Amsterdam, Netherlands
2009
“Transparent City”, Stephen Daiter Gallery, Chicago, IL, USA
“Entropya/Art in Progress", Gallery, Naples, Italy
Gallery 51, Antwerp, Belgium
Elipsis Gallery, Istanbul, Turkey
Galerie Wouter van Leeuwen, Amsterdam, The Netherlands
2008
“Transparent City”, Museum of Contemporary Photography, Chicago, IL, USA
“Butterfly Dream: Shanghai MoCA Envisage II,” MoCA, Shanghai, China
"Translocalmotion: Shanghai Biennale", Shanghai Art Museum. Shanghai, China
“China Design Now: The Real Toy Story", Liberty Storefronts, London, England
“China Design Now”, Victoria and Albert Museum, London, England
"AIPAD Photography Show", The Armory, New York, NY, USA
"ArtChicago Photography Show", Chicago, IL, USA
"Hong Kong Back Door", Lumenvisum Gallery, Hong Kong
“The Real Toy Story and Architecture of Density: China Design Now”, London, England
“Eastern Standard: Western Artists in China", MassMoCA, MA, USA
“Heritage: Hong Kong Corner Houses”, Goethe Institute, Hong Kong
“Real Fake Pictures and Architecture of Density”, Gallerie Wouter van Leeuwen, Amsterdam, The Netherlands
2008-2007
“Pieces of China: A Retrospective of Michael Wolf’s China Projects”, Museum Center Vapriikki, Tampere, Finland
2007
“China Projects: The Real Toy Story, China Copy Art, 100x100”, m97 Gallery, Shanghai
“Fake. Portraits of Chinese Copy Art”, Goethe Institute, Hong Kong
“Hong Kong Industrial”, Ursula Huber Gallery, Basel, Switzerland
生于德國慕尼黑
1971 – 1972 加拿大 North Toronto Collegiate Institute, Toronto
1972 - 1973 美国 UC Berkeley, CA
1973 - 1976 德国 Studied photography and visual communications at the University of Essen with Otto Steinert; Degree in Visual Communication
展览
2010
《城市密度》, 威尼斯建筑双年展,威尼斯,意大利
《城市密度》, m97画廊,香港2010艺术节,香港
《Paris Street Views》, Foam Museum, 阿姆斯特丹, 荷兰
2009
《透明的城市》 展览
Stephen Daiter Gallery, Chicago, IL, 美国
《Entropya/Art in Progress》, Gallery, Naples, 意大利
Gallery 51, Antwerp, 比利时
Elipsis Gallery, Istanbul, 土耳其
Galerie Wouter van Leeuwen, Amsterdam, 荷兰
2007
《香港产业》, Ursula Huber Gallery, Basel, 瑞士
《中国项目: 真实的玩具总动员, 中国拷贝艺术, 100x100》, m97 画廊, 上海
China Copy Art portraits were photographed in Shenzhen’s Dafen “Art Village,” where millions of paintings are produced each year. Copy art is a multimillion-dollar industry in China, which produces 70 percent of the copies of famous masterpieces and exports 80 percent of them to supermarkets and galleries in North America and Europe.
Showing the faces behind the industry, Wolf explores the idea of mass production in contrast with unique artistic creation - the fastest workers can produce 30 paintings a day - and asks the viewer to consider the nature of art and artistry itself. When asked about his copy of Van Gogh’s famous Sunflowers, one copy artist said, “This is an easy one. I need to make no more than 400 brush strokes.”
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中国拷贝艺术人物摄像, 以深圳知名的”大芬画家村”为背景.
该地每年生产超过几百万幅拷贝画作, 在中国, 拷贝艺术堪称百万工业, 生产作品里面 包括了百分之七十的著名画作, 百分之八十左右的作品而后出口, 进入美洲及欧洲的大卖场或是画廊.
捕捉这项百万工业的背后功臣-沃尔夫的作品,表现出大幅度生产,与艺术创作的细节性特点 ,两者投射出的强烈反差. 此村最快的工人,一天可以完成三十幅作品, 当观赏者欣赏画作的同时, 作品背后的创作动机, 与艺术本身的分别发人省思. 当访问其中一名画匠如何完成梵谷的名作 “Sunflowers” .他回答; “这张很简单, 只要画四百笔左右就完成了!”